A small collection of big personalities. Choose something that catches your eye.
Selected experiments
01—03 / ORIGINAL CONCEPTS
Viewing FORM / FIELD
FORM / FIELD AN EXHIBITION OF POSSIBILITIESFSPACE FOR THE UNEXPECTED. ↗
01 / Visual identity
FORM / FIELD
A little structure. A lot of possibility.
An imagined exhibition identity that treats typography as building material. One letter becomes a frame; a set of repeated lines becomes a landscape. The system moves between oversized posters and compact exhibition labels without losing its peculiar rhythm.
Inside the idea +
The challenge: make a fictional design exhibition feel ordered and unpredictable at the same time. A narrow grid anchors the information, while a deliberately oversized F pushes past its boundaries. The electric lime ground makes the black geometry feel almost cut from paper.
The study: A poster family, a flexible wordmark, and a visual language built from a single letter.
SOFT SIGNAL LISTEN A LITTLE CLOSER.
A QUIETER KIND OF LOUD.
02 / Digital art direction
SOFT SIGNAL
Turn the volume down. Keep the feeling.
A fictional listening space with a visual identity drawn from sound waves. Concentric rings drift around a quiet center; coral and lilac do the talking. The composition leaves breathing room for the music that might live here.
Inside the idea +
The challenge: suggest sound in a still image without reaching for a waveform. Repeated circles create a sense of resonance, and the off-center arrangement gives the scene an imperfect, human quality. Typography stays small so the image can hold the room.
The study: A listening-room art direction, an album-sized cover study, and a restrained color system.
PLAY / NICE SMALL OBJECTS. LARGE PERSONALITIES.
p.n.!
HANDLE WITH CURIOSITY.
03 / Packaging study
PLAY / NICE
Serious about not being too serious.
An imaginary set of desk objects wrapped in a modular packaging system. Bright blocks stack like a small city. Each box has its own character, but a shared grid lets the whole collection sit comfortably together.
Inside the idea +
The challenge: make a family of different shapes feel related without making them identical. Cobalt carries the series, while tangerine and warm pink distinguish individual objects. A repeated circular cutout becomes both a graphic signature and an imagined opening gesture.
The study: Three complementary package faces and a cheerful system for a fictional object collection.